So its been a little while shall we say…

Art vend

I found out about the closure of Oriel Wrecsam (probably may favourite gallery) that i have such a connection with. It gave me my first chance to grab at the slippy old balloon of the art bubble dream back in 2008 on selection for the Wrecsam Open. But now revitalised and mowing into pastures new its last Hara was Art Vend. The project selected artist to submit 50 pieces of work to go to vending machines placed around Wrecsam over the next few months. The work I submitted took the form of a Digital Protection locked away in the little plastic casual.  Alongside this sits the brilliant documentary of the gallery in its closing weeks from https://twitter.com/OrielWresidency This was created by Simon Proffitt more of his work can be seen here  A real eye for detail…

Artist in Oriel Gwynedd

Time is flying by with the project over at Oriel Gwynedd, Bangor. You can keep up to speed with the work and what I’m doing here https://tocynnwr.exposure.co I am about to start documenting the closure of the old gallery over the next coming months.

Bodelwydden Castle

I have an Exhibition coming up from 25 April – 5 July 2015 alongside Susan Williams and Wendy Leah Dawson. I have been documenting the many signs of Tremeirchion for such a small village about 1 square mile with over 30 signs that I have managed to documenttre-20tre finals

Helfa Gelf

I’m also making a return to my third Helfa Gelf this year. I will be once again camped out in Haus Of Helfa, Llandudno after receiving confirmation of my work been selected. Think poems rubber bands and 360 degrees

 

Connect 2

Ffloc has been selected to work on a 3 week residency as part of connect 2 at Aberystwyth Arts Centre during May which will entail a visually projected element and poetry. This is going to be a massive challenge but great fun. This is to evolve into a bigger project IMG_20150327_160545

 

Adding Photography to music is something that really interests me. I was approached by Joel Cockrill to work on a project with my images to his music. I think the music changes the feel of work. What do you think? The work is from three bodies of work. The now demolished car park from Get Carter in Gateshead called Trinity Square. It was designed by Owen Lunder. One of the top designers in the Brutalist movement. My Surrealist Seamless links work and the more recent ‘your last breath’



I recently read John Szarokowski’s 1964 book The Photographers Eye. This was produced to cover M.O.M.A first critically acclaimed photography exhibition, in the book he cover the topics which he sees are the 5 basic principles of a photograph. They are

THE THING ITSELF

This is my Cat Millie she runs the house. The look on her face makes me think of Robert De Niro In Taxi Driver http://www.filmsite.org/wavfiles/taxidriver2.wav

THE DETAIL

As you can see from the information the image gives you . She is a cute cat with fine gray fur and eyes that could melt ice burghs. She is always alert never switching off. She can be very placid when she can be bothered with human interaction. The closeness of the image gives the scale human qualities as often used by the likes of William Eggleston

THE FRAME

The framing of the image shows that she is in a house lording it up on a chair. The slightly off centre subject in the image gives you a feel of warmth and content maybe sat in front room

TIME

I had to be quick and get the cat looking straight into the lens of the camera, had she have been looking away it would have lost some power and honesty it was taken at 1/8 f8 iso 100 flash +2 zoom 50mm

VANTAGE POINT

The subject is the key to the image . We are not interested in anything else the image has to offer other than maybe its indoors. Taken from higher vantage point i.e standing; the cat would have looked different. A shot from the side would be distracted by a clock case or the T.v. So on my knees close in at the cats view of things makes us engage with the subject.

These are simple thing you can do every time you take a photo. a simple image can when broken down tell so much. What do you think?

 

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Reclaimed Land

The pinnacle…

follow the lights and you will find the gold.

A Severn wind rattles the soul,

rain like pins my face a cushion.

Edifice a vision, wooden windows a fact,

a collection of faces glued in community,

Now divided again by scheme funded foolery.

To escape is to renounce

only with strength from intrinsicality.

As thrust upon pages turn,

A dyeing side street lives

on the ensign of principality

 

TIDES

Lorys Hughes, Dieppe littoral enclave,  traffic choked in its walls,

buckling under load Christian & Nielsen added transport to draw…

As a Jacdaw flies onwards over the wall where inner battles once raged,

to a far corner of a sanded shore springs a millionaires playground,

we await The Mulberry Harbor secret to be told.

Tidal high waves come so close like circles shimmering conwy’s story no-one knows.

Sound breaks the silences, like a distant scratch to the ear,

as cars go by but not near the cubes and tarmac under rivers roar,

to Ireland by night or Chester by morning.

The rill’s plethora held back from the eye looking as old keeping harbor stories of Wales constructing glory

Image by Chris Bird


http://www.guardian.co.uk/artanddesign/2010/nov/05/william-eggleston-democratic-camera-review

A good article on what i would probably say is one of my favorite photographers. The article discus how america has changed in the 50 years of his work. I think the thing with america im fast learning is the british see it as san francisco new york the white house and the Jay Leno show. we forget about all the bits in the middle. it’s not all lip gloss and long legs. The deprivation in areas is well hidden many area showing little of evolving to the modern set. Eggleston ability to capture the mundane to most document a time dna to almost conjured set of his location. His work will forever turn a head as it looks so fresh with it sparking colours.